OKS!!The Best of A.R.Rahman
Well, can you squeeze in a whole jukebox to a single CD? Forget compression technologies. I am talking about A.R.Rahman, arguably one of India’s greatest music composers. From Carnatic to Qawwali, Blues to Bhangra and from Bollywood to Broadway, Rahman has conquered all. From his first album Roja, which was released in the year 1992, to the latest Hindi Album released:- Ada, Mr.Rahman has indeed scaled new heights, invented and reinvented new sounds, broken borders of genres, and made a brand for himself.He has to his credit,the most recognisable ringtone of India (the Airtel ringtone) and above all, he features in the list of TIME magazine’s most influential Asians (alongside Freddie Mercury). Mr.Rahman deservingly stands at a position where many musical stalwarths envy to reach. And with every new composition, every new note, we get to experience a nano-portion of the musical genius, Rahman .And it has indeed taken me sleepless nights and intense brainstorming and repeated playing on my Winamp to compile this list of the Top 10 songs from A.R.Rahman’s ever expanding, self-challenging discography. It has been a strenuous and mind-numbing process and I know at the end of it, I have succeeded to narrow down to the Top 10. In many ways, some will totally agree with me on these 10. And some will totally disagree.
The rules are simple-
1.Only one song from one album [with one exception, I make the rules, I break them
].
2.Only Hindi soundtracks [I couldn't possibly go for the other languages in which Rahman composes. Although I would specially like to mention the Boys soundtrack which is in Tamil]
3.From Roja to Ada [I don't have a sneek peek into the future]
4.No remixes, no Bombay Dreams
Please let me know what did you think of this list. Do post your comments of your own favorites or your own additions at specific positions. Of course, you need not agree with me completely, but well, we Indians have never managed to reach a 100% consent ever. Anyway,so here we go.
10. Saathiya -Saathiya
Forget Rani Mukherjee. Don’t even mention Vivek who. Okay, we can applaud Shaad Ali’s compelling cinematography with the snow caped hills, the yellow fields, the glimmering sun and the gurgling water. But the real magic with this song is when you close your eyes, and in the ethereal sound of Sonu Nigam and lively lyrics of Gulzar, the words roll out-
Hastee Rahe Tu Hastee Rahe, Hayya Ki Laali Khilti Rahe
Zulf Ke Neeche Gardan Pe, Subah Shaam Khilti Rahe
and as the chorus builds in to-
Saathiya,mm…hmm..Saathiya , mm..hmm…Madhyam Madhyam Teri Geeli Hasee
Saathiya,mm…hmm..Saathiya , mm..hmm…Sunke Humne Saare Peeli Hasee
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I had plans of writing a post on the anime feature: Gotham Knight before I wrote this review, but the last two days were spent in anticipation over the wait for the Dark Knight. And having seen the movie today on the big screen, I don’t remember what I saw on the anime. Hell, I don’t remember what I saw in the previous Batman movies and once I walk out of the cinema, I get this feeling - that might be the best superhero movie, ever, if not the best movie ever ( 

So we have it. The first Indian Rock Bollywood soundtrack. Ugh! I so hate to call it that. It is a Bollywood movie soundtrack-Yes! And it IS ROCK. How Indian? I can see no Indianization in it (except for the Hindi lyrics) and it is an all out-full throttle Rock soundtrack with no holds barred. No cliche’ sitar addition or an Indian classical solo on a distorted electric guitar in the arrangement of which Indian Rock soundtracks in Bollywood are known to be. Nothing wrong about them as well. But Rock On’s soundtrack is what it is-ROCK ON. It is somehow an Indian tribute to the many Legends of Rock that we have grown up listening to -AC/DC, Megadeth,The Who et al. And I know it for sure that Farhan Akhtar saw way too many concert DVDs before sitting down to sing for the soundtrack. The attitude, the grunge and the punch in the vocals comes through easily, and yes, get ready to be hit by the Vocals. And well, it might not be a totaly new sound for us Rock fans, who pretty much listen to it all the time, it is a big welcome change for Bollywood Music. And quite frankly, it seems funny (in a good way) to hear Hindi lyrics on a Rock Song. As always, I am gonna go the reverse way -Last track first.
It is not exaggarating at all to say that this can be called the DIL CHAHTA HAI of the year. It is dew fresh, it is immensely enjoyable and entertaining minus any form of saccharine or sugar coated romance (which has been almost synonymous with Bollywood). JAANE TU is a breathe of fresh air with a ton load of mint. And the best part of it is, it doesn’t act as a tailor made launch vehicle for Imraan Khan (unlike the other debut releasing this week, yeah the 2050 movie) , but as a whole ensemble entertainer with the perfect choice of actors to play the characters- some unknown, and some very familiar. And oh yes, Jaane Tu is not the debut for Imraan only. It also marks the debut for Pratiek Babbar (son of late Smita Patil) and welcomes back to the screen -Anooradha Patel, Kitu Gidwani and frames Naseeruddin Shah as Ajay Singh Rathod in a painting. Beat that!









