Yeah, the red jacket and the ghost gang dancing turned 25 this year. The album is being revamped and the Silver Jubilee edition is in stores now. But what actually reminded me of Thriller and made me listen to it (and yes, I even did the famous arm-swinging routine as well) throughout the week, was this- Signature performing the Bhangra mashed up with Thriller in Britain’s Got Talent’s first Semi Finals winning performance. If you haven’t seen it, you’ve been living in a cave.
Having said that, the magnitude of success of Thriller as an album to hold the Guiness Record of the most selling album worldwide does raise a lot of questions. Is it pop culture blown out of proportion? Is it showmanship winning over melody? Or is it just plain and simple-Jackson at its best. Sadly though, 25 years later after, the success story of Thriller still continues whereas Jackson has transformed into one of those zombie dancers (both physically and mentally) back and forth (Any one keeping count of the transformations, from Black to White to Nose to just Oh-I-donno-what’s that ?). [Continue Reading…]
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I remember Strings to be one of the most exported band from across the border. Their music has been reminiscent with my college years, with my friend strumming the chords to the tune of “Anjaane Kyu” (which remains till date my favorite of the lot). It has been 4 years since Dhaani was out. Hard to believe. Feels like yesterday when we used to hum “Mil Gaya Woh, Jo Churake…“, but then, it has indeed been 4 years since. And the duo of Bilaal and Faisal have been busy doing Indian soundtracks (Zinda for example which is included in this album). So the big question is-Does Koi Aane Wala Hai make it up for the 4 years that these guys took to write these songs? The answer is a big NO. And what does it lack in? Originality for starts, a good sound for second and thirdly, melody. It is so pathetic that it sounds a wannabe album, even for the industry veterans that Strings represent. And yes, I shall deal with the tracks -one by one. But I shall stay mum about Zinda- coz that actually doesn’t belong to this album. And I can fight even the duo for that. C’mon, this is a recycled OST of a movie, (which itself is a recycled dump of a hippo) released two years back. So, argument won. Next is the order in which I have heard the CD. Last track first. Why? Because that is where you find the laziness of the creator. That is where mediocrity creeps in and that IS the first place to find compromise and may be sometimes what they call INSPIRATION.
There is a big reason why I am not writing three different reviews for the three movies constituting the Vengeance Trilogy- Sympathy for Mr.Revenge, Oldboy and Lady Vengeance, besides the obvious ones that it is a huge task to. Of course, they deserve individual appreciation and applause for the portrayal of immensely disturbing human stories. But then, it is very important to state on a single page, that even if the element that connects these three- Vengeance-is full throttle, it is the underlying human stories which actually steal the show, in each film. And needless to say, they are all very different and very awesomely disturbing as well. We have seen Hollywood’s brand of violence in many shades, colors, lights and sounds. We have been thrilled, scared, often left disturbed and then by the end of the third night we almost get over it and probably start pondering over the latest action flick. And that is where the Vengeance trilogy scores. It has been almost two weeks since I watched OldBoy and I watched Sympathy for Mr.Vengeance today (I watched Lady Vengeance in between, which again states another fact that in this trilogy, unlike any other, the order of watching doesn’t really matter). And yes, I still vividly remember the corridoor fight scene, the octopus eating scene and the tooth plucking as much as the grotesque smile of Oh Dae Su in Oldboy. That is the power of story telling. And I start this post by offering a salute to the genius of Chan-wook Park. 
