A.R.Rahman’s next big thing on Coke Studio At MTV got “leaked” on the Youtube Channel before its broadcast tonight (Aug 17, 2013). And it has been gathering steam, and deservingly so. Jagao Mere Des Ko comes to fruition from the collaboration of extraordinary geniuses. Nobel Laureate Rabindranath Tagore’s Chitto Jaytha Bhoyshunno (Where the mind is without fear) finds a new melodic life in Rahman’s colourful music.
And layered with Suchi’s ear-meltingly beautiful voice, and the lyrical waxing of Sivamani and Blaaze, this is possibly one of Rahman’s BEST yet. And I am not exaggerating. We dig in deeper into the music, the lyrics, and more after the jump. Continue reading
As previously discussed in my post on Challa, a YRF soundtrack by A.R.Rahman, and lyrics penned by Gulzar – that in itself brings a weight of expectations and anticipation from listeners. Having listened to the entire soundtrack a few times now, I can safely conclude that this is no where close to any of Rahman’s finest, or even better works. The soundtrack of Jab Tak Hai Jaan seems to just flirt with different themes like a confused movie with no plot, trying to please every demographic. We’ll get to that when we discuss the songs, so hit the jump.
After a million firewalls had been set up around to build curiosity around the next YRF-SRK mega Diwali release, we saw the firecracker fizzle out with an unimpressive title inspired from a Sholay song. YRF’s next – Jab Tak Hai Jaan, brings back SRK to the era of Dil To Pagal Hai, romancing two leading ladies, in and around London, and even playing the “Maati ke Laal deshbhakt“, as he vrooms around in his army uniform, and even walks away from an explosion – #LikeABoss. One of the other selling points of the promotion campaign has been the first time collaboration between Yashraj Films and A.R.Rahman. There is always a level of anticipation surrounding every Rahman project , as fans wait for his tracks with great levels of expectation. The first track released from the soundtrack – Challa, on a whole doesn’t hit the note quite right, and rather than being a straight boundary, feels more like a dot ball. Sorry about that cricket analogy, but Challa didn’t quite deliver the Rahman magic that we’ve grown to get used to. Neither does it bring home the SRK charm of say – Mitwa (KANK), or even Kyon Hawa (Veer Zara).
Shaan was a game changer for the 1980’s brand of movies. Ramesh Sippy’s 2nd movie after the massive hit – Sholay, this was Bollywood’s take on the many Roger Moore and Sean Connery Bond movies. With larger than life villains and their lairs filled with sharks, gas chambers, sidekicks in uniforms and revolving chairs, Shaan had it all. A Bollywood version of all those elements meant that a smashing soundtrack had to accompany this yummy dish. And Panchamda’s wicked menu offers flavours of Banjara dhinchaak – Yamma Yamma, the diva cabaret – Pyar Karne Waale, the Bond themed – Doston se Pyar Kiya, the nautanki track – Dariya mein Jahaaz, and the Mazhar Khan green screen extravangza – Naam Abdul Hai Mera. But the one track that cracks the soundtrack open with its insane arrangement of crazy instruments that only Panchamda could’ve brought it together, is – Jaanu Meri Jaan.
And I dedicate my Saturday Soundtrack to this immortal track, which brings many fond memories of my childhood associated to it.