I recently contributed a snippet on my most favourite Bollywood moment in 2012 for the year-end special podcast on Upodcast (listen to this mammoth 3 hr special here). And I got my thinking hat on, and recapped the year 2012 in Bollywood cinema. It has indeed been a year of lovely moments that stayed with me, long after the end credits had rolled. I had to squeeze out just one moment out of the following, and I’ll leave the guess work to you, as to which one I chose for the podcast.
But for now, here are my 10 most amazing and awesome Bollywood moments of 2012 (in no particular order).
[Of course, as I will be discussing specific scenes, these are mega-spoiler material. So, you've been warned ]
It is pretty much the annual routine now to moan and whine about Bollywood Awards. I mean, the only point they serve is to wind us up, don’t you think? Screen and Zee Cine Awards 2013 nominations are out – and some of it look like the who’s who of WTF. Unlike last year, where I discussed the categories, I will do a summary round up and also come up with my predictions. Here is the full list of nominations . But it seems like nobody in the jury listens to us.
So, hit the jump!
The name Yash Chopra is synonymous to opulence, grandiose and all flavours of larger-than-life characteristics which cannot be in any way consumed through a real-life lens. This has what has come to be known as the “YRF school of cinema“. But it is sad that a prolific director of Yash Chopra‘s stature, a man who has given us the likes of Waqt, Deewar, Kaala Pathhar and Chandni, be dwarfed by the above mentioned limiting definition. Yes, the man also gave us Dil To Pagal Hai – a movie he directed in his mid 60′s, about the yuppy Indian youth, all singing and dancing and free as a bird, and it still remains a personal favourite.
So why does Jab Tak Hai Jaan, a movie which emulates the same “formula”, and in some ways, mashes up DTPH with Veer Zara, feel overtly boring, lost, and almost impotent ? This movie is of two halves, the first trying desperately to be cool, and make its mid-40s male lead into a 25 year old hipster. The second half transforms the same male lead into a broody and stubbled version, loaded with Enfield bikes, no armour anti-bomberman badass superhero. And joining the two are two stupid accidents. The catch here is, there’s no Nirupa Roy to provide the emotional connect.
This is not a post to bad-mouth Yash Chopra, the filmmaker whose work speaks for itself. I am extremely fond of most of his filmography, but sadly, JTHJ is not the perfect swan song by a mile and a half. So hold on to your hate mails. After the jump, some specific plot points will be discussed. SPOILER WARNING.
It is late October, and although I would have very much liked to have done this at the beginning of the month, due to various stupid reasons and my laziness, I couldn’t. What am I talking about? REKHATOBER of course – the birth month of only the best actress ever – Rekha. A few summers back, me and many other Bollywood bloggers, lead by Beth, decided upon doing this monthly feature every year to celebrate Rekha’s birthday. [For more on it, go here for all the posts on Rekhatober].
This year, I cranked up the gear, and went digging into the deep abyss of the internet, to find a 90′s gem called Madam X. So, hit the jump for more on Madam X, our podcast on it, and the awesome Comic Strip to blind your eyes with its sheer awesomeness.