The name Yash Chopra is synonymous to opulence, grandiose and all flavours of larger-than-life characteristics which cannot be in any way consumed through a real-life lens. This has what has come to be known as the “YRF school of cinema“. But it is sad that a prolific director of Yash Chopra‘s stature, a man who has given us the likes of Waqt, Deewar, Kaala Pathhar and Chandni, be dwarfed by the above mentioned limiting definition. Yes, the man also gave us Dil To Pagal Hai – a movie he directed in his mid 60’s, about the yuppy Indian youth, all singing and dancing and free as a bird, and it still remains a personal favourite.
So why does Jab Tak Hai Jaan, a movie which emulates the same “formula”, and in some ways, mashes up DTPH with Veer Zara, feel overtly boring, lost, and almost impotent ? This movie is of two halves, the first trying desperately to be cool, and make its mid-40s male lead into a 25 year old hipster. The second half transforms the same male lead into a broody and stubbled version, loaded with Enfield bikes, no armour anti-bomberman badass superhero. And joining the two are two stupid accidents. The catch here is, there’s no Nirupa Roy to provide the emotional connect.
This is not a post to bad-mouth Yash Chopra, the filmmaker whose work speaks for itself. I am extremely fond of most of his filmography, but sadly, JTHJ is not the perfect swan song by a mile and a half. So hold on to your hate mails. After the jump, some specific plot points will be discussed. SPOILER WARNING.
It is late October, and although I would have very much liked to have done this at the beginning of the month, due to various stupid reasons and my laziness, I couldn’t. What am I talking about? REKHATOBER of course – the birth month of only the best actress ever – Rekha. A few summers back, me and many other Bollywood bloggers, lead by Beth, decided upon doing this monthly feature every year to celebrate Rekha’s birthday. [For more on it, go here for all the posts on Rekhatober].
This year, I cranked up the gear, and went digging into the deep abyss of the internet, to find a 90’s gem called Madam X. So, hit the jump for more on Madam X, our podcast on it, and the awesome Comic Strip to blind your eyes with its sheer awesomeness.
As previously discussed in my post on Challa, a YRF soundtrack by A.R.Rahman, and lyrics penned by Gulzar – that in itself brings a weight of expectations and anticipation from listeners. Having listened to the entire soundtrack a few times now, I can safely conclude that this is no where close to any of Rahman’s finest, or even better works. The soundtrack of Jab Tak Hai Jaan seems to just flirt with different themes like a confused movie with no plot, trying to please every demographic. We’ll get to that when we discuss the songs, so hit the jump.
After a million firewalls had been set up around to build curiosity around the next YRF-SRK mega Diwali release, we saw the firecracker fizzle out with an unimpressive title inspired from a Sholay song. YRF’s next – Jab Tak Hai Jaan, brings back SRK to the era of Dil To Pagal Hai, romancing two leading ladies, in and around London, and even playing the “Maati ke Laal deshbhakt“, as he vrooms around in his army uniform, and even walks away from an explosion – #LikeABoss. One of the other selling points of the promotion campaign has been the first time collaboration between Yashraj Films and A.R.Rahman. There is always a level of anticipation surrounding every Rahman project , as fans wait for his tracks with great levels of expectation. The first track released from the soundtrack – Challa, on a whole doesn’t hit the note quite right, and rather than being a straight boundary, feels more like a dot ball. Sorry about that cricket analogy, but Challa didn’t quite deliver the Rahman magic that we’ve grown to get used to. Neither does it bring home the SRK charm of say – Mitwa (KANK), or even Kyon Hawa (Veer Zara).