The janam-janmaantaro ki pyaas ( closest English translation: The thirst of ages ) is going to be quenched with this Baap of all sequel posts. This was demanded since the first snake charmer from the gang of Samri was killed in the dark realms of the Purani Haveli. And before all of this mish-mash of lovely sounding words start dismantling into meaningless pieces of guano, let me cordially welcome you to the Return of the Top 20 Villains of Bollywood aka Top 20 Villains of Bollywood – Part 2 (Nope, we are no SrBachchan to yell out Dwitiya). Jaani, if the first list [ read here , if you haven’t ] left you high and dry, this one should definitely leave you stoned and soaked in awesomeness. We @ OKS are so committed to bringing you all the desi-awesomeness, that we have gone back and dug out these jurm ke pujari, brashtachari, durachari and those who never say sorry (obligatory Jaane Bhi Do Yaaro reference). Bollywood owes a million and one titles to these villains, coz they are the ones inspiring titles like - Zaalim, Kutte, Kaminey and the like. So, show some respect for ..
*The Next Top 20 Villains of Bollywood*
Need I write any intro to this one. The title is pretty self explanatory. In the 20 years or so of Indipop [ that’s a fair assumption right? ], we’ve had some really massive hits. But once in a while, there comes a hit to sweep all of us off our feet. And then, we don’t get to hear of that artiste ever again. Until they appear in regional channels judging (and in some cases – hosting and even participating ) reality TV shows, or appear in the left corner of some Page 3 party. So either they get busy in the scripted reality, or get seriously involved becoming social. Doesn’t matter where they eventually ended up, this list explores ..
The 10 ‘One Hit Wonders’ of Indipop.
10. Paisa – Agosh
Such a shame that this band churned out just a single hit when it showed so much promise with this single. The video is a very clever parody of the many flavours of brands consuming our lives. A very smart take on consumerism, Paisa, or as you would remember – Mujhe Mil Jo Jaaye Thoda Paisa – is narrated by an unsuccessful Kavi, sitting in a tea-stall, and speaks of what he’d do if he had money. His desires range from celebrating Sunday from Friday night, decorating his car with Disco light, having a beautiful Biwi, and even his Kids would have their own TV (noble thought). But the most simple, yet beautiful line here is – Hum bhi honge unke jaise ( We’d also be like THEM ) – Kind of shows the frustration of the struggling lower middle class, which looks at the ridiculous affluence of the high society and its glam sham. Musically, this is a brilliant fusion of rock and Carnatic – listen to the sweet Guitar solo. Very very awesome!! [ Video Link ]
The list continues after the jump.
Prior to the year 2001, Indian cinema screen space was primarily occupied by the run-of-the-mill popcorn entertainers, mildly interrupted by the multiplex movie – an attempt to cater to the urban audiences who were fed on MTV, Star World and international sitcoms. The Bollywood blockbuster had turned into a potion of ingredients best known to the ones who incorporated the star sons and daughters, copied scripts from Hollywood blockbusters, diamond merchant producers and South Indian technicians into the perfect recipe. Most often than not, these recipes failed, with only those suceeding at the Box Office which genuinely appealed to both classes as well as masses. The top list from the entire decade of the ’90’s-produced’ blockbusters consisted of DDLJ, DTPH, K2H2, KNPH, HDDCS and other multi-worded titles, delving deep into the world of romance and romantic storylines spicened up with sub-plots of obstacles to romance such as a father who is never pleased with a love marriage. The time was nigh for the recycled storylines to be discarded and to embrace new ideas and challenging scales of storytelling.
The year 2001 marked the rising of a new sun in the horizon of Indian cinema. June 26 2001, things were about to change dramatically. LAGAAN was released and in every sense of the term, it was a game-changer.
In this post, I will be discussing about LAGAAN and how its influence can be seen in today’s Indian cinema. The magical glow of this cinematically brilliant masterpiece still shines bright even today, 10 years after its release, and here’s why.
There are not many movies in Indian cinema where you can name each and every character of the ensemble. It has been 10 years since the release of LAGAAN, and even so, the excitement and enthusiasm as well as the anguish and misery of the many characters of LAGAAN is as fresh and graphically vivid in my memory as it was when I finished watching it the first time. The only other movie that can claim to have attained such a feat is (no points for guessing) the immortal blockbuster – SHOLAY. So why not reflect upon these colourful members who complete this massive painting of LAGAAN with their various shades.
Outside the LAGAAN XI:
Aakshvaani – Sutradhaar (Amitabh Bachchan)
The voice which introduces us to the world of Champaner, and also concludes the tale with the words – “Itihaas ke Panno mein kahin kho gayi hai” [ Lost somewhere in the pages of history ]
‘Maa’ – Yashodamai (Suhasini Mulay)
“Hey Ram! Bakhat se pehle hi khushiyaan!” [ Hey Ram, premature celebrations ]
The quintessential mother, but not Bollywood-ish. She sees the reflection of her lost husband in the courage and daring nature of her son.
[WARNING: Image heavy post ]