by Sujoy on May 5, 2011
in oks

The very awesome and Doctor Who lover Louella has featured me on her monthly web mag – BLOGUE. For the uninitiated, BLOGUE is a monthly feature on Bollywood Bloggers, and has featured the likes of the great FilmiGirl, Bindaas Nikki and DunkDaft Darshit. And now, its my turn this month.
If you’re intrigued enough, you can download the PDF here.
Please follow the very awesome LOUELLA’s equally awesome Tumblr, and her eccentrically regular MasalaWBigOsie
by Sujoy on April 3, 2011
in Bolly

There is only one dancing queen in Bollywood. And we all have no doubt about who it is. The one, the only – Madhuri Dixit. No puns, no jokes, no comments attempting any sort of cheap humour. This post is just about the 15 history defining, earth shattering, and screen scorching epic moves of Madhuri, spanning across her epic career. These are not just any moves. When it comes to recognising someone like Mrs.Nene, these moves define not only her, but also the 90s – a time when the Madhuri empire was thriving. Ok, no more bakwaas, straight to business. Rated in the ascending order of awesomeness and ishtyle.
15: Aaja Nachle – Aaja Nachle

This awesome list continues after the jump. P.S. This post is image heavy of the GIF kind.
Please allow some time to load them up. Read on..
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The year was 2001. Jhamu Sugandh and Aamir Khan Productions’ ambitious project – Lagaan, had just released its publicity material on TV. In an age of no-twitter and zero-presence of social networking sites, TV trailers and theatre publicities were the only way to go. The first trailer was indeed very intriguing. It only showed an incomplete political map of India, and a Rupee coin rolling over it. The heavy beats of the percussion filled the air, and as the short teaser concluded, the anticipation levels were soaring high. As I look back to that period of pre-Lagaan release, I feel an intense nostalgic rush filling me with smiles.
Lagaan was released and was widely loved and adored by audiences and critics alike, locally and globally. It has been 9 years since, and even then, the melody of Lagaan’s soundtrack, the drum beat and the passionate voices of the villagers of Champaner continue to linger in my head; all of them crying out – Re Bhaiyya Chhoote Lagaan!!
So, on this 9th anniversary of one of the most uplifting pieces of cinema ever, let’s celebrate the music of Lagaan – one which not just serves as a Bollywood routine element of the movie, but also a medium which translates a thousand emotions in a single line. The music of Lagaan transcends many levels and goes beyond the limits of boundaries, languages and cultural differences. A.R.Rahman scores, arguably, one of his career’s best soundtrack, and the translation to screen is equally breath-taking.
So hit the jump to experience with me, and celebrate the magic of the soundtrack of Lagaan – Once Upon A Time in India.
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by Sujoy on April 9, 2009
in recap,TV

Once upon a time, long before television was invaded ( read:screwed over) by kanjeevaram sari clad women with jewellery as heavy as themselves, witchcrafty make-up, mean plans and super-repetitive close-up shots (or in other words Balaji Telefilms), was the era of Doordarshan’s Prime Entertainment. And that was when, long before becoming the Bhabhi of the Nation (singing Lo Chali Main with Salman Khan in Hum Aapke Hai Kaun), Renuka Shahane entered our lives as the Lady with the Electrifying smile, greeting us “Namaskar” every Sunday Night with Siddharth Kak on SURABHI. CINEMA VISION INDIA’s production, Surabhi brought information packaged in an entertaining 30 minutes box like never before. It wowed us to the core. Children, adoloscents and adults across the nation were glued to the half hour of culture explosion that ranged from dizzying heights of Ladakh to Aleppey’s backwaters, from the fields of Paan cultivation to remembering the greatness of cinema legends like Raj Kapoor and K.L.Saigal. Surabhi was my Indian Wikipedia; even better, it was on Television and I competed with my Dad in answering the Sawaal Jawaab. [Continue Reading…]